Platitudes Exclude Feeling

This text is a twelve-stanza work that utilizes architectural and environmental motifs to quantify social performance. It employs imagery of concealment, such as "lidded eyes" and "curtained rooms," to define the boundaries of internal remorse. The lexicon includes mechanical descriptors of social uniformity ("nondescript gowns," "procession parade") and physical decay ("oily slurry," "dust bowls," "untended gardens"). The work tracks the transition from the "inner city minded" cruelty of performance to the eventual collapse of suppressed data.

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3 min read

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Platitudes Exclude Feeling" is a descriptive work composed in December that examines the intersection of human interaction, social performance, and internal psychological states.


Platitudes Exclude Feeling

I hear them say they understand,

I do not hear their sorrow.

I hear them hide a pain from

panes of eyes well lidded,

curtained rooms of remorse.


Pale wisps list pasts reminisced

left aside shadows,

cast dull flat silhouettes,

Frozen and dark in silent scorn.


Porns of men cascade past shopping

windows full of hope,

for reflections in procession

parade in nondescript gowns.


Competing to be more bland

than the other,

as wearers stand empty

as the glasses they wish

sipped from.


Tall and elongated

exaggeration, distorted

as their inner visions.


Rend compassion brutally

from the bosom that bears

no more, the tear that streaks

in oily slurry staining pale dry

skin scarring outer surfaces.


Like blots upon a napkin dabbed at

corners of cold mouths, painted

warmth that melts away.


An inner city minded people

hide their inner fears in cruel acts.


The steadfast stand on winds

of sand that cut the eyes and shred

those inner visions of reflections

cruelly scattered across mired

other people's shades and tone and

attitude.


Precluded inclusions by default

prevent dry eyes from blooming.


As dust bowls form from long

redundant miseries,

a heart resolved to

keeping secrets crumbles.


The tower’s overshadow

tragedies untended, like

gardens of bloom

that none pursue or care to recall.


The pall not hoisted for the spites

unclaimed record an ending.


This work functions as a clinical observation of self-concealment and the eventual collapse of suppressed emotional data, concluding with the recording of an ending where "spites" remain unclaimed.



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